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To celebrate 50 Years of the most iconic amplifier brand in the history of rock, Gibson Custom and Marshall Amplification are proud to introduce the very Limited Edition 50th Anniversary of Marshall Les Paul Goldtop. From the time Jim Marshall put his name on the first fire-breathing JTM45 head in 1962, it was clear that this was the amp the Les Paul had been waiting for, and later that decade-and throughout those to follow-stars like Eric Clapton, Jimmy Page, Paul Kossoff, Slash, Zakk Wylde, and countless others would make groundbreaking music ramming their Les Pauls through a range of roaring Marshall amps. Marshall 50th Anniversary Limited Edition 1962 Combo Bluesbreaker $5999(Amplifier Only)They might have originated from two very different companies on the opposite sides of the Atlantic Ocean, but the Gibson Les Paul and Marshall amplifiers were a marriage made in rock heaven right from the start. My number is 61.Item: 282353868957 Marshall 50th Anniversary Limited Edition 1962 Combo Bluesbreaker $5999 Amp Only. The best way to place a direct order is by phone. Not the first time I've heard recommendations to just call him and order direct. I found this, apparently from Paul C, dated 2012, for what it's worth. Buying used might not be feasible to return, but they move quickly. There's one or two on the new PGS used site as well. If you want it NOW, and want a discount, look on the gear page. I ordered mine, and had it within two weeks.
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When I bought mine from, they explained that while they never get enough of them to keep in stock, they get a batch monthly. Some dealers list the Timmy, but are always out of stock. If nothing else, it's worth trying because it's one of the VERY few pedals that's not based on the few common circuits: TS, BluesBreaker, etc. And if I want both, it stacks well with the many "flavored" ODs out there. I can add some dirt without changing the EQ. King of transparent, and because of this, IMO it's great for home players like myself. The Timmy is in the top 5% of a very long list of overdrives I've had on the board at one point. It's tenure with me may be coming to an end.Īll my amps are BF/SF, except for the Allen Encore, which is pretty much a clone of a BF Vibrolux. The Humboldt is a great little amp but strangely I'd rather use it on it's on than with pedals. I will hopefully find a Tube Screamer that will work well with the PRRI. It doesn't play well with the Mad Professor SHOD or the Xotic BB. It also plays well enough with my Wampler Thirty Something when I want some Vox chime and my Lovepedal High Power Tweed Twin for Stones, Neil Young etc. The Princeton is more musical to my ears and, when I push it with a Fulltone Fat Boost, I can get the kind of break up I want without ear splitting loudness in my home.
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To make a long story short, while I was most recently playing the Humboldt I decided to go back to the Princeton. I recently decided to test them against each other with and without pedals. In fact, some say that the Junior's function is being a foundation amp. The Princeton is not known for being pedal friendly with the Blues Junior is considered as such. My PRRI is my number one amp but I also have Humboldt Hot Rod version of a Blues Junior.